knows what it's like

I like things to be a bit unrecognizable. I don't like things to be too themed. But to have a nice balance. I feel i'm moved by heavier yet simpler concepts like broad cultural symbolism or elements. Like plastic endurance designed objects should always have a little dirt on them. A dark melancholic winter street should always have a little hint of disco. That's why i always prefer to be a little tired, a little high, a little hungover. That way i can see things a little hazier. Everything sways a bit more. I see something but hear something else. I feel something but smell something else. And it's memories only last in lagging snips of image and touch and sound and feel.

Morvern Callar, directed by Lynne Ramsey 2002